The art of bowing
Posted on 27 March 2010
From my post over at the CompositionToday blog:
I still find it a quiet source of pride how few composers are ready for that moment in the spotlight, we emerge tramp-like and awkward - the epitomy of uncool, uncommercial - we come on stage in our un-ironed jackets, or with a sock still stuck in one trouser leg. Then we scurry across the stage as quick as we can, not knowing where to put ourselves, and take an awkward bow. There's an interesting paradox in the way so many composers are so unnatural on the stage: we spend our entire lives trying to create something that is after all intended for performance 'on the stage'. We are aware of the finest, subtlest details of how certain effects in our music will come across - we can subdue an entire crowd, get them laughing or crying with our notes; and yet when we have to present ourselves in person on the stage we are likely as not to stumble on the steps before we even get there...
COMMENTS
Leave a Reply
Archive
Archive
2012: Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
2011: Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
2010: Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
2009: Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
2008: Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
2007: Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
2006: Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
